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Americanaland
Where Country & Western Met Rock 'n' Roll
John Milward; Portraits by Margie Greve
University of Illinois Press, 2021
A musical genre forever outside the lines

With a claim on artists from Jimmie Rodgers to Jason Isbell, Americana can be hard to define, but you know it when you hear it. John Milward’s Americanaland is filled with the enduring performers and vivid stories that are at the heart of Americana. At base a hybrid of rock and country, Americana is also infused with folk, blues, R&B, bluegrass, and other types of roots music. Performers like Bob Dylan, Johnny Cash, Ray Charles, and Gram Parsons used these ingredients to create influential music that took well-established genres down exciting new roads. The name Americana was coined in the 1990s to describe similarly inclined artists like Emmylou Harris, Steve Earle, and Wilco. Today, Brandi Carlile and I’m With Her are among the musicians carrying the genre into the twenty-first century.

Essential and engaging, Americanaland chronicles the evolution and resonance of this ever-changing amalgam of American music. Margie Greve’s hand-embroidered color portraits offer a portfolio of the pioneers and contemporary practitioners of Americana.
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Concentration Camps on the Home Front
Japanese Americans in the House of Jim Crow
John Howard
University of Chicago Press, 2008
Without trial and without due process, the United States government locked up nearly all of those citizens and longtime residents who were of Japanese descent during World War II. Ten concentration camps were set up across the country to confine over 120,000 inmates. Almost 20,000 of them were shipped to the only two camps in the segregated South—Jerome and Rohwer in Arkansas—locations that put them right in the heart of a much older, long-festering system of racist oppression. The first history of these Arkansas camps, Concentration Camps on the Home Front is an eye-opening account of the inmates’ experiences and a searing examination of American imperialism and racist hysteria.

While the basic facts of Japanese-American incarceration are well known, John Howard’s extensive research gives voice to those whose stories have been forgotten or ignored. He highlights the roles of women, first-generation immigrants, and those who forcefully resisted their incarceration by speaking out against dangerous working conditions and white racism. In addition to this overlooked history of dissent, Howard also exposes the government’s aggressive campaign to Americanize the inmates and even convert them to Christianity. After the war ended, this movement culminated in the dispersal of the prisoners across the nation in a calculated effort to break up ethnic enclaves.

Howard’s re-creation of life in the camps is powerful, provocative, and disturbing. Concentration Camps on the Home Front rewrites a notorious chapter in American history—a shameful story that nonetheless speaks to the strength of human resilience in the face of even the most grievous injustices.
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Far East, Down South
Asians in the American South
Edited by Raymond A. Mohl, John E. Van Sant, and Chizuru Saeki
University of Alabama Press, 2016
Offers a collection of ten insightful essays that illuminate the little-known history and increasing presence of Asian immigrants in the American southeast

In sharp contrast to the “melting pot” reputation of the United States, the American South—with its history of slavery, Jim Crow, and the civil rights movement—has been perceived in stark and simplistic demographic terms. In Far East, Down South, editors Raymond A. Mohl, John E. Van Sant, and Chizuru Saeki provide a collection of essential essays that restores and explores an overlooked part of the South’s story—that of Asian immigration to the region.
 
These essays form a comprehensive overview of key episodes and issues in the history of Asian immigrants to the South. During Reconstruction, southern entrepreneurs experimented with the replacement of slave labor with Chinese workers. As in the West, Chinese laborers played a role in the development of railroads. Japanese farmers also played a more widespread role than is usually believed. Filipino sailors recruited by the US Navy in the early decades of the twentieth century often settled with their families in the vicinity of naval ports such as Corpus Christi, Biloxi, and Pensacola. Internment camps brought Japanese Americans to Arkansas. Marriages between American servicemen and Japanese, Korean, Filipina, Vietnamese, and nationals in other theaters of war created many thousands of blended families in the South. In recent decades, the South is the destination of internal immigration as Asian Americans spread out from immigrant enclaves in West Coast and Northeast urban areas.
 
Taken together, the book’s essays document numerous fascinating themes: the historic presence of Asians in the South dating back to the mid-nineteenth century; the sources of numerous waves of contemporary Asian immigration to the South; and the steady spread of Asians out from the coastal port cities. Far East, Down South adds a vital new dimension to popular understanding of southern history.
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Indians Illustrated
The Image of Native Americans in the Pictorial Press
John M Coward
University of Illinois Press, 2016
After 1850, Americans swarmed to take in a raft of new illustrated journals and papers. Engravings and drawings of "buckskinned braves" and "Indian princesses" proved an immensely popular attraction for consumers of publications like Frank Leslie's Illustrated Newspaper and Harper's Weekly . In Indians Illustrated , John M. Coward charts a social and cultural history of Native American illustrations--romantic, violent, racist, peaceful, and otherwise--in the heyday of the American pictorial press. These woodblock engravings and ink drawings placed Native Americans into categories that drew from venerable "good" Indian and "bad" Indian stereotypes already threaded through the culture. Coward's examples show how the genre cemented white ideas about how Indians should look and behave--ideas that diminished Native Americans' cultural values and political influence. His powerful analysis of themes and visual tropes unlocks the racial codes and visual cues that whites used to represent--and marginalize--native cultures already engaged in a twilight struggle against inexorable westward expansion.
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Men Like That
A Southern Queer History
John Howard
University of Chicago Press, 1999
We don't usually associate thriving queer culture with rural America, but John Howard's unparalleled history of queer life in the South persuasively debunks the myth that same-sex desires can't find expression outside the big city. In fact, this book shows that the nominally conservative institutions of small-town life—home, church, school, and workplace—were the very sites where queer sexuality flourished. As Howard recounts the life stories of the ordinary and the famous, often in their own words, he also locates the material traces of queer sexuality in the landscape: from the farmhouse to the church social, from sports facilities to roadside rest areas.

Spanning four decades, Men Like That complicates traditional notions of a post-WWII conformist wave in America. Howard argues that the 1950s, for example, were a period of vibrant queer networking in Mississippi, while during the so-called "free love" 1960s homosexuals faced aggressive oppression. When queer sex was linked to racial agitation and when key civil rights leaders were implicated in homosexual acts, authorities cracked down and literally ran the accused out of town.

In addition to firsthand accounts, Men Like That finds representations of homosexuality in regional pulp fiction and artwork, as well as in the number one pop song about a suicidal youth who jumps off the Tallahatchie Bridge. And Howard offers frank, unprecedented assessments of outrageous public scandals: a conservative U.S. congressman caught in the act in Washington, and a white candidate for governor accused of patronizing black transgender sex workers.

The first book-length history of the queer South, Men Like That completely reorients our presuppositions about gay identity and about the dynamics of country life.

"Men Like That goes a long way towards redressing the urban bias in American lesbian and gay-history writing. . . . Howard's rigorous scholarship, which is based both on oral history and traditional historical documents . . . is enhanced by a disarmingly personal touch. . . . His insights into queerness and the mentality of the American South should be of great interest both to the professional gay historian and the general reader."—Madeleine Minson, Times Higher Education Supplement

"Howard creates a history remarkable in its complexity yet intimate in its portraiture. At long last an intimate and full vision of queer lives in America that did not unfold in San Francisco's discos."—Kirkus Reviews

"In this groundbreaking and engrossing analysis of gay male life in postwar Mississippi, Howard . . . boldly demonstrates that gay culture and sex not only existed but flourished in small towns."—Publishers Weekly, starred review

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The Nature and Tendency of Free Institutions
Frederick Grimke
Harvard University Press

First published in 1848, Frederick Grimke's book, in the words of the editor, "deserves comparison with Tocqueville's justly famous work, Democracy in America, and is in certain ways superior. It is the single best book written by an American in the nineteenth century on the meaning of our political way of life." A second edition of Grimke's work was published in 1856, and a third edition appeared posthumously in 1871, but since then this classic in American thought has been almost completely lost to sight.

Grimke was born in South Carolina in 1791, and later moved to Ohio where he became a judge. He remained a bachelor, led a rich and cosmopolitan intellectual life, and accumulated an excellent library. His sisters Angelina (wife of the abolitionist Theodore Weld) and Sarah were both famous for deserting their South Carolina heritage and becoming active in the abolition and woman suffrage movements. In 1842 Grimke retired from the bench to devote the remainder of his life to study and writing, setting himself the task of educating his contemporaries in the nature of their society. His major achievement was The Nature and Tendency of Free Institutions.

Grimke's range of topics includes the right of the majority, the character and operation of elective governments, the function of political parties, the American contrasted with the English and French constitutions, and the separation of powers in the American political systems. He sees governmental institutions as the expression of the general structure of society which calls them into being. In his Introduction, John William Ward points to Grimke's thesis "that the separation of powers in the frame of the American constitution works not because power is distributed within the government but because all branches of the government are, directly or indirectly, responsible to the will of the majority of the people outside the doors of government." As a result of the party system, Grimke wrote, "we may vary the paraphernalia of government as much as we please, but it still obstinately persists in every one of its departments to be a government based upon the popular will."

Ward calls attention to Grimke's passionate belief that "freedom is its own justification" and that its ultimate value is that "it created the kind of character which made freedom possible." He held that "the only way to make a man fit for freedom is to give him freedom." Yet, unlike his sisters, he shared a view of race that was pervasive in his time and was unable to imagine the extension of freedom to the slave. In contradiction to his views of government and freedom, he upheld Negro slavery even to the extent of sanctioning secession to protect it. To him, "the open affirmation of the right of secession would serve to maintain the Union, not destroy it."

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The Newspaper Indian
Native American Identity in the Press, 1820-90
John M. Coward
University of Illinois Press, 1999

Newspapers catalyzed public opinion in the nineteenth century, and the press's coverage and practices shaped the representation of Native Americans for white audiences. John M. Coward delves into the complex ways journalism both perpetuated and created the many stereotypes of the American Indian. 

The newspaper Indian emerged not only from centuries of stereotypes but also as an Other standing in the way of economic growth and national expansion. As economic entities hungry for profits, newspapers sought colorful and exciting stories that attracted readers and confirmed the correctness of American values and goals. Journalists came to rely on easily understood formulas and clichés to explain American Indians while the changing technology of newsgathering promoted a fact-based but narrow native identity that standardized the representations of indigenous peoples. The result was a harsh, paternalistic identity that dominated American newspapers for decades—and still influence misrepresentations of Native American people in our own time. 

Fascinating and thought-provoking, The Newspaper Indian shows how the press wove Native Americans into the fabric of a modernizing America.

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Winthrop Rockefeller, Philanthropist
A Life of Change
John Ward
University of Arkansas Press, 2004
As grandson of oil tycoon John D. Rockefeller Sr. and son of philanthropist John D. Jr., Winthrop Rockefeller was born into one of the most affluent and influential families in the world. But he was a nonconformist and often felt isolated from the rest of his family. Still, he amazed many when he left the New York elite for a farm in rural Arkansas, where he would ultimately serve two terms as governor and create a philanthropic legacy all his own. In Winthrop Rockefeller, Philanthropist, John L. Ward draws from his years as Rockefeller’s speech writer and campaign advisor to create a remarkably readable and comprehensive narrative. Ward provides valuable insights into Rockefeller’s complicated relationships with his father and brothers and convincingly argues that Rockefeller’s extraordinarily innovative approach to philanthropy changed the way Arkansas was viewed by its citizens and by the rest of the world. This book is a must-read for anyone interested in twentieth-century philanthropy.
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